Music Theory #2: Circle of 5ths – Dominant 7 & Tritones

Music Theory #2: Circle of 5ths – Dominant 7 & Tritones, available at $59.99, has an average rating of 4.8, with 128 lectures, 3 quizzes, based on 63 reviews, and has 2008 subscribers.

You will learn about IDENTIFY the 3rd & 7th tones easily in Dominant 7 Chords CREATE smooth voicing with the 3rd & 7th tone to the Tonic Chord UNDERSTAND why Tritones create such tension sounds USE the CIrcle of 5ths to find Tritone Chord Substitutions in One Flash FOLLOW the golden rule of Tritone Chord Substitutions TURN a boring chord progression into Interesting harmonic sounds with Tritone Chords SPOT the places where Tritone chord substitutions do not work HAVE LOADS OF FUN understanding complex music harmony APPLY Tritone Chord substitutions into their music composition APPLY Tritone Chord substitutions into Little Brown Jug UNDERSTAND why Tritone Chord Sub is not desirable in some places STUDY the first line of Auld Lang Syne CREATE Turn Arounds in long measures CREATE Turn Arounds with Tritone Chord subsitutions APPRECIATE the beautiful descending sounds of chromatic chord movement This course is ideal for individuals who are This course is suited for aspiring musicians who want to take their understanding of music into higher professional levels. or This course is suited for all musical instrument players: Guitar, Piano, Ukulele, Violin, Flute, Harmonica, etc It is particularly useful for This course is suited for aspiring musicians who want to take their understanding of music into higher professional levels. or This course is suited for all musical instrument players: Guitar, Piano, Ukulele, Violin, Flute, Harmonica, etc.

Enroll now: Music Theory #2: Circle of 5ths – Dominant 7 & Tritones

Summary

Title: Music Theory #2: Circle of 5ths – Dominant 7 & Tritones

Price: $59.99

Average Rating: 4.8

Number of Lectures: 128

Number of Quizzes: 3

Number of Published Lectures: 128

Number of Published Quizzes: 3

Number of Curriculum Items: 131

Number of Published Curriculum Objects: 131

Original Price: $199.99

Quality Status: approved

Status: Live

What You Will Learn

IDENTIFY the 3rd & 7th tones easily in Dominant 7 Chords
CREATE smooth voicing with the 3rd & 7th tone to the Tonic Chord
UNDERSTAND why Tritones create such tension sounds
USE the CIrcle of 5ths to find Tritone Chord Substitutions in One Flash
FOLLOW the golden rule of Tritone Chord Substitutions
TURN a boring chord progression into Interesting harmonic sounds with Tritone Chords
SPOT the places where Tritone chord substitutions do not work
HAVE LOADS OF FUN understanding complex music harmony
APPLY Tritone Chord substitutions into their music composition
APPLY Tritone Chord substitutions into Little Brown Jug
UNDERSTAND why Tritone Chord Sub is not desirable in some places
STUDY the first line of Auld Lang Syne
CREATE Turn Arounds in long measures
CREATE Turn Arounds with Tritone Chord subsitutions
APPRECIATE the beautiful descending sounds of chromatic chord movement

Who Should Attend

This course is suited for aspiring musicians who want to take their understanding of music into higher professional levels.
This course is suited for all musical instrument players: Guitar, Piano, Ukulele, Violin, Flute, Harmonica, etc

Target Audiences

This course is suited for aspiring musicians who want to take their understanding of music into higher professional levels.
This course is suited for all musical instrument players: Guitar, Piano, Ukulele, Violin, Flute, Harmonica, etc

*** ENROLL IN THE #1 RATED Music COURSE ON UDEMY TODAY! ***

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Review from Chris T

Chris T

Rosa has an unique was of teaching, She structure the course in a way, it let us figure out things first before giving us answers, not spoon feeding us. No dry boring lesson , I feel I’m being taught by how & why it ‘works’… and not traditionally rigid like many other course out there. Thumbs up & keep up the good work.

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Circle of 5ths Level 2 – Intermediate to Advanced

This course takes musicians to apply more advanced music theory into their playing – Tritones, Tritone Chord Substitutions, Jazzy Chromatic Chord Movement, 36251 Turn Arounds.

It is important for all musicians, whether you play guitar, piano, ukulele, violin, harmonica, or any musical instruments to develop an intimate knowledge of the Circle of 5ths. The Circle of 5ths is a visual picture that tells us the relations between keys, scales, chords, chord progressions, tritones, tritone chord substitutions, pentatonic scales, blues scales, 7 modes of music, etc.

The Tritone chord substitution is one of the most commonly used chord substitutions in jazz. By using tritone chord substitution, you often get a beautiful chromatic bass line in the song and especially in turn arounds.

When it comes to more advanced music theory, students get confused and give up in their struggle to advance in their musicianship.

Here’s the secret: Learn to use the Moving Circle of 5ths Dynamically! When you know how to move the circle around to understand Tritones and how the interval is created in the Dominant 7 chords, you will understand why professional musicians do such smooth voicing because they know how to concentrate on the 3rd & 7th tones easily.

In this Circle of 5ths Level 2 course, I will show you how to use the Circle to do Tritone Chord substitutions with Dominant 7 Chords and Minor 7 Chords. In this way, you will have many more options in your music compositions other than the normal Diatonic Chord Progression & Secondary Dominants that you learned in Circle of 5ths Level 1 Course.

When you do Tritone Chord Substitutions, you begin to learn advance music harmonic sounds, and the importance of doing smooth voicing, chromatic bass line chord movement in turn arounds that audience loves to listen to.

In this course, I will also show you when Tritone Chord Substitutions work and when they don’t work. There are some rules you need to follow so that you create beautiful harmonic sounds in your piece of music, whether reharmonizing a song or in the writing of your own songs.�

You will be doing a lot of assignments so that you learn to find the answer yourself. What you discover sticks with you much more than what you are told. It is easy for me to lay out all the answers and theory for you. What is unique in the course is that I will coach you along to help you think and discover the answers for yourself in a creative way.

The following topics will be covered extensively:

Tritone Chord Substitution
Tritone Wants to Resolve
Tritones in All 12 Dominant 7 Chords
Advanced Harmony: Put in Tritone Chord Substitution
Two Magical Ways to Find the Tritone Chord Substitutions
Tritone Chromatic Movement
Song Application – Little Brown Jug – Putting in Tritone Chord Subs
When To Avoid Doing Tritone Chord Substitution?
Improvisation on ii7 V7 I
Jazzy Turn Around – 3 6 2 5
Formula for the Jazzy Turn Around 3 6 2 5 in C Key
Turn Around in Eb Key – Misty
Improvise on the 3625 Turn Around in all 12 Keys
Tritone Chord Substitution to Minor 7 Chords
Minor 7 Chord Substitutions
Golden Rule of Tritone Chord Subs
Applying Golden Rule to 36251 Progression
Apply Tritone Chord Substitutions to E7 A7 D7 G7 C
Only Need One Circle to Find Tritone Chord Substitutions

As you can see, we will be covering a lot of topics so that by the end of the course, you will be able to apply Tritone Chords effortlessly!

I’ll see you in class,

Rosa

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Listen to what some of her students are experiencing in her Circle of 5ths Level 1 Course:

Ivan Bradley

I have been teaching myself to play the ukulele for the past few months but had been struggling to understand which chords went together and why. I was able to play by ear but it was entirely through guesswork. The circle of 5ths really helps you understand how chord progressions work and Rosa’s moving version makes so much more sense than a static circle. It’s only been a few days since I started the course but I feel that I have a much better understanding of music theory already. Plus Rosa’s voice is so pleasant! I really look forward to listening to the videos and playing my ukulele after a long day at work.

Melody Evans

I play guitar, Indian flute, and dulcimer, all by ear. This class is helping me to understand music like I have always wanted to. Don’t get me wrong, I love playing by ear; I have just always wanted to also understand music. It is a real time-saver for me when I can refer to my Magic Wheel instead of listening for the note or chord that fits. This has opened up a whole new aspect of music for me. Thank you, thank you.

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Teaching 93 Courses�on Music & Piano Courses!�

OVER 74,000�Successful students have already taken my online courses since July 2014 with many 5 Star Reviews �

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About Rosa’s online course at Udemy:�

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Course Curriculum

Chapter 1: Introduction

Lecture 1: Overview of the Topics in the Course

Lecture 2: Welcome to the Class – Course Syllabus

Chapter 2: What is a Tritone?

Lecture 1: The Interval of a Tritone

Lecture 2: A Tritone Interval – #4 or b5

Lecture 3: A Tritone Interval is present in the Dominant V7 Chord

Lecture 4: Identify the Tritone Interval (the 2 notes) in G7 Chord

Chapter 3: Tritones Create Big Tension – Want to Resolve to Tonic Chord

Lecture 1: Movement of Tones 3 & b7 in V7

Chapter 4: Identify all the Tritones of V7 in All 12 Keys & How they resolve to Tonic Chord

Lecture 1: Homework Assignment – Use your DIY Circle – Identify Tritone Interval of 12 V7

Lecture 2: Key of C – Tritone Interval in G7

Lecture 3: Key of F – Tritone Interval in C7

Lecture 4: Key of Bb – Tritone Interval in F7

Lecture 5: Key of Eb – Tritone Interval in Bb7

Lecture 6: Key of Ab – Tritone Interval in Eb7

Lecture 7: Key of Db – Tritone interval in Ab7

Lecture 8: Key of Gb – Tritone Interval in Db7

Lecture 9: Key of B – Tritone Interval in F#7

Lecture 10: Key of E -Tritone Interval in B7

Lecture 11: Key of A – Tritone Interval in E7

Lecture 12: Key of D – Tritone Interval in A7

Lecture 13: Key of G – Tritone Interval in D7

Chapter 5: Why do Tritone Chord Substitution Work?

Lecture 1: V7 & Tritone Chord Substitution – They share the same 2 Tones

Lecture 2: V7 & Tritone Chord Resolves to the Tonic Chord I

Lecture 3: G7 & Db7 Chords: Tones 3 & b7 are switched in the order

Lecture 4: ii- V7- I and ii- bII7- I

Lecture 5: Diatonic Chords Movement vs Non-Diatonic Chord Movement

Chapter 6: Two Simple Tricks To Find Tritone Chord Substitutions

Lecture 1: Simple b5 Trick

Lecture 2: Circle Magic Trick

Lecture 3: Identify the 12 Tritone Chords for the 12 Dominant 7 Chords using the Circle

Lecture 4: Only 6 PAIRS of Tritone Chord Substitutions

Chapter 7: Tritone Chord Chromatic Movement: ii7 bII7 V7

Lecture 1: Demo: Change ii7 V7 I to ii7 bII7 V7

Lecture 2: 12 Chord Progressions with Tritone Subs: ii7 – bII7 – V7

Chapter 8: Improvisation – Can do variation to ii7 V7 I by using Tritone Chord Sub

Lecture 1: Improvisation in all 12 Keys – ii7 V7 I &K ii7 bII7 I

Lecture 2: Improvise on all 12 Keys: ii7 V7 I and ii7 bII7 I

Chapter 9: Song Application: Little Brown Jug

Lecture 1: Little Brown Jug Sheet Music

Lecture 2: Step 1: Put in ii7 V7 before Chord I

Lecture 3: Lecture 34: Answer: Dm7 G7 before the C

Lecture 4: Step 2: Put in The Tritone Chord sub for G7

Lecture 5: Answer: Replace G7 with Tritone Db7

Lecture 6: Step 3: Put in ii7 V7 before the F Chord

Lecture 7: Answer: Gm7 C7 before F

Lecture 8: Step 4: Repace C7 with the Tritone Chord Sub

Lecture 9: Lecture 40: Final Arrangement of Little Brown Jug with 2 Tritone Chord Subs

Lecture 10: Printout for the final arrangement of Little Brown Jug with Tritone Chords

Chapter 10: Know when you cannot put in Tritone Chord Substitutions

Lecture 1: Auld Lang Syne – 1st Line Key of F

Lecture 2: Assignment: Auld Lang Syne – Will the Tritone B7 work?

Lecture 3: Answer: Auld Lang Syne – Will the Tritone B7 Work?

Lecture 4: Dissonant Rules: It depends on the musicians

Lecture 5: Assignment: Little Brown Jug

Lecture 6: Little Brown Jug – Taking out the Half Tone Clashes

Chapter 11: JAZZY Turn Arounds – 3625 – Misty

Lecture 1: Turn Around in Misty – Em7 A7 Dm7 G7

Lecture 2: Turn Around in Misty with Tritone Chord Subs – Em7 Eb7 Dm7 Db7 C

Lecture 3: Roman Numerals for the New Jazzy Chord Turn Around – iii7 – bIII7 – II7 – bII7 –

Lecture 4: Misty – Eb Key – Turn Around with Normal Diatonic chord movement

Lecture 5: Misty – Eb Key – Jazzy Chord Turn Around with Tritones Substitution

Chapter 12: Jazzy Turn Around in all 12 Keys – 3-6-2-5-1 & iii7 bIII7 ii7 bII7 I

Lecture 1: C Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 2: F Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 3: Bb Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 4: Eb Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 5: Ab Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 6: Db Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 7: Gb Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 8: B Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 9: E Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 10: A Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 11: D Key – 36251 & iii7 bIII7 ii7 bII7 I

Lecture 12: G Key – 36251 & iii7 bIII7 ii7 bII7 I

Chapter 13: Rosa's Magic Tip to Put in Tritone Chord Subs Even Easier Than Using the Circle

Lecture 1: Rosa's Magic 1/2 Step Trick in creating Tritione Chord Movement from 36251

Lecture 2: Assignment: Use Rosa's Magic 1/2 Step Trick to work out the other 10 Keys

Lecture 3: Answer: Applying Rosa's 1/2 Step Trick to all the other 10 Keys

Chapter 14: Minor 7 Chords also have their Tritone Chord substitutions

Lecture 1: The Tritone Chord Subs for Minor 7 Chords are also Dominant 7 Chords

Lecture 2: Minor 7 Chord – Tritone Chord Sub – First Pair Cm7 & Gbm7

Lecture 3: Assignment: Work out the other 5 Pairs of Tritone Chord Subs

Lecture 4: 2nd Pair of Minor 7 – Tritone Chord Sub – Gm7 & Dbm7

Lecture 5: 3rd Pair of Minor 7 – Tritone Chord Sub – Dm7 & Abm7

Lecture 6: 4th Pair of Minor 7 – Tritone Chord Sub – Am7 & Ebm7

Lecture 7: 5th Pair of Minor 7 – Tritone Chord Sub – Bm7 & Fm7

Lecture 8: 6th Pair of Minor 7 – Tritone Chord Sub – Bbm7 & Em7

Chapter 15: Putting in Tritone Chord Subs to ii7 in 2-5-1 Chord Progression

Lecture 1: Subbing the ii7 with Tritone Chord in 2-51 Chord Progression

Chapter 16: Putting in Tritone Chord Subs to iii7 & ii7 in 3625 Turn Around

Lecture 1: Assignment: Put in Tritone Chord Sub for the minor 7 Chords in 3-6-2-5

Lecture 2: Answer: Putting in Tritone Chord Subs to iii7 & ii7 in 36251 Turn Around

Chapter 17: Put In Tritone Chord Subs for both Minor 7 & Dominant 7 Chords

Instructors

Rosa Suen
Best Seller Music Teacher, 35 Years Pianist, 25,00+ students

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4 stars: 17 votes
5 stars: 44 votes

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