Model and Texture a Stylized Dungeon for Games

Model and Texture a Stylized Dungeon for Games, available at $69.99, has an average rating of 4.9, with 41 lectures, based on 469 reviews, and has 2697 subscribers.

You will learn about Model and sculpt stylized assets for games Define and paint stylized materials like metal, stone, and wood Sculpt and bake normal maps from a high poly asset down to a low poly object Create Tileable textures using ZBrush and Photoshop This course is ideal for individuals who are This course is for students that have a basic understanding of modeling, sculpting, and texturing that want to bring their stylized workflow to the next level. It’s also meant for those who have only purely painted their textures without using any normal map baking and will introduce this to their workflow. or This course is not for people who expect a realistic-styled approach to the creation of an environment, as this will not be covered in this course. It is particularly useful for This course is for students that have a basic understanding of modeling, sculpting, and texturing that want to bring their stylized workflow to the next level. It’s also meant for those who have only purely painted their textures without using any normal map baking and will introduce this to their workflow. or This course is not for people who expect a realistic-styled approach to the creation of an environment, as this will not be covered in this course.

Enroll now: Model and Texture a Stylized Dungeon for Games

Summary

Title: Model and Texture a Stylized Dungeon for Games

Price: $69.99

Average Rating: 4.9

Number of Lectures: 41

Number of Published Lectures: 41

Number of Curriculum Items: 41

Number of Published Curriculum Objects: 41

Original Price: $19.99

Quality Status: approved

Status: Live

What You Will Learn

Model and sculpt stylized assets for games
Define and paint stylized materials like metal, stone, and wood
Sculpt and bake normal maps from a high poly asset down to a low poly object
Create Tileable textures using ZBrush and Photoshop

Who Should Attend

This course is for students that have a basic understanding of modeling, sculpting, and texturing that want to bring their stylized workflow to the next level. It’s also meant for those who have only purely painted their textures without using any normal map baking and will introduce this to their workflow.
This course is not for people who expect a realistic-styled approach to the creation of an environment, as this will not be covered in this course.

Target Audiences

This course is for students that have a basic understanding of modeling, sculpting, and texturing that want to bring their stylized workflow to the next level. It’s also meant for those who have only purely painted their textures without using any normal map baking and will introduce this to their workflow.
This course is not for people who expect a realistic-styled approach to the creation of an environment, as this will not be covered in this course.

In this course we will be going through the process of creating a small stylized dungeon environment from the blockout stage to the final presentation. I will be guiding you through the process of modeling the low poly assets and show you different techniques of UVing. We will then take our assets into ZBrush where I will be showing how to define all the materials that you will find in this environment. We will use some of the ZBrush sculpts to render tiling texture flats that we can composite in Photoshop. I will then be guiding you through the process of painting the textures for a few assets so you can reproduce this process for the remaining models. Finally, we are going to set up a scene in Marmoset for the final presentation. By the end of this course, you should be able to create and understand the workflow that I use to create stylized environments like this one.

(Students – please look under Section 1 / Lecture 1 downloads for the source files associated with the lesson.)

More about the Instructor:

Tobias Koepp is an accomplished environment artist in the games industry. He started his career as a student in the Netherlands where he had the chance to work as an intern at Guerilla Games for about half a year. He is now currently working on his first full-time job as a 3D artist at an outsourcing studio in Spain. I’ve always been fascinated by hand painted and stylized art and work hard to turn this passion into a job.

Course Curriculum

Chapter 1: Blocking out and Modeling the Objects for our Scene

Lecture 1: Download Course Files Here!

Lecture 2: Introduction to the course

Lecture 3: Preparing our Maya Scene

Lecture 4: Blockout in Maya

Lecture 5: Modeling the Pillar

Lecture 6: Modeling the Door

Lecture 7: Refining the Door Model

Lecture 8: Modeling the Walls

Lecture 9: Modeling the Props

Chapter 2: Uving and Sculpting our Details

Lecture 1: Introduction to UVs and Sculpting

Lecture 2: UVing the Pillar

Lecture 3: UVing the Door

Lecture 4: Refining the Door UVs

Lecture 5: Tiling Textures Preparation

Lecture 6: Sculpting the Pillar

Lecture 7: Sculpting the Pillar (Continued)

Lecture 8: Refining the Pillar Details

Lecture 9: Wrapping up the Pillar Sculpt

Lecture 10: Sculpting the Door

Lecture 11: Finishing the Pillar and Sculpt Wrapup

Lecture 12: Sculpting a Tiling Texture

Chapter 3: Baking Normal maps and AO for our Sculpts, and Starting our Painting

Lecture 1: Introduction to Baking and Painting

Lecture 2: Baking the Pillar

Lecture 3: Baking the Door

Lecture 4: Baking the Tileable Texture

Lecture 5: Tiling Texture Compositing

Lecture 6: Tiling Texture Coloring

Lecture 7: Tiling Texture Wood Example

Lecture 8: Pillar Paint Preparation

Lecture 9: Painting the Pillar

Lecture 10: Wrapping up the Pillar Paint

Chapter 4: Painting the Door, and Compositing our Scene in Maya

Lecture 1: Introduction to Wrapup Overview and Scene Composition

Lecture 2: Painting the Door

Lecture 3: Refining the Door

Lecture 4: Painting Door Details

Lecture 5: Door Paint Wrapup

Lecture 6: Rebuilding the Scene in Maya

Lecture 7: Final Composition in Maya

Lecture 8: Rendering in Marmoset

Lecture 9: Finalized Rendering, Composition, and Course Conclusion

Lecture 10: Bonus Lecture: Further Learning with 3dmotive

Instructors

3dmotive LLC
High Quality 3d and Game Art Training by Industry Pros!

Rating Distribution

1 stars: 3 votes
2 stars: 10 votes
3 stars: 35 votes
4 stars: 130 votes
5 stars: 291 votes

Frequently Asked Questions

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