Screenwriting Tools – Know them to Build a Great Story
Screenwriting Tools – Know them to Build a Great Story, available at Free, has an average rating of 3.8, with 79 lectures, based on 37 reviews, and has 3532 subscribers.
You will learn about Learn the industry secrets in writing a story Entirely downloadable for offline use Lucid video examples for conceptual understanding Learn the techniques to build the drama and conflict Learn in detail about your protagonist This course is ideal for individuals who are Aspiring Screenwriters or Film Students or Writing Aspirants or TV Production Students or Studio Interns or Literature Students or Corporate Managers – for telling "BRAND" stories or Anyone who is in the business of Storytelling or Bloggers – for writing effective blogs or This course is probably not for those who are looking for technical aspects of Cinematic Storytelling like operating the camera, learning editing software etc. That would be dealt in another course. It is particularly useful for Aspiring Screenwriters or Film Students or Writing Aspirants or TV Production Students or Studio Interns or Literature Students or Corporate Managers – for telling "BRAND" stories or Anyone who is in the business of Storytelling or Bloggers – for writing effective blogs or This course is probably not for those who are looking for technical aspects of Cinematic Storytelling like operating the camera, learning editing software etc. That would be dealt in another course.
Enroll now: Screenwriting Tools – Know them to Build a Great Story
Summary
Title: Screenwriting Tools – Know them to Build a Great Story
Price: Free
Average Rating: 3.8
Number of Lectures: 79
Number of Published Lectures: 79
Number of Curriculum Items: 79
Number of Published Curriculum Objects: 79
Original Price: Free
Quality Status: approved
Status: Live
What You Will Learn
- Learn the industry secrets in writing a story
- Entirely downloadable for offline use
- Lucid video examples for conceptual understanding
- Learn the techniques to build the drama and conflict
- Learn in detail about your protagonist
Who Should Attend
- Aspiring Screenwriters
- Film Students
- Writing Aspirants
- TV Production Students
- Studio Interns
- Literature Students
- Corporate Managers – for telling "BRAND" stories
- Anyone who is in the business of Storytelling
- Bloggers – for writing effective blogs
- This course is probably not for those who are looking for technical aspects of Cinematic Storytelling like operating the camera, learning editing software etc. That would be dealt in another course.
Target Audiences
- Aspiring Screenwriters
- Film Students
- Writing Aspirants
- TV Production Students
- Studio Interns
- Literature Students
- Corporate Managers – for telling "BRAND" stories
- Anyone who is in the business of Storytelling
- Bloggers – for writing effective blogs
- This course is probably not for those who are looking for technical aspects of Cinematic Storytelling like operating the camera, learning editing software etc. That would be dealt in another course.
A music composer needs to master the musical notes and instruments before he compose for a film; without basic knowledge of colors a painter can’t paint; likewise a screenwriter or playwright should require certain tools to express his/her vision clearly. It is a difficult skill to acquire. To build scenes, sequences, acts, and the whole story is not an easy job.
So the answer to this quest is learning principles, tools that are required for screenwriting or any kind of storytelling, because screenwriting is film making on paper. The screenwriters’ job is to visualize the story on paper before making into a movie or any kind of visual grandeur.
The main objective of the course is to provide you with the industry secrets to enhance your screenwriting skills to excellence.
Course Curriculum
Chapter 1: Introduction
Lecture 1: Introduction
Chapter 2: Tools of Screen Writing
Lecture 1: Premise
Lecture 2: Premise – PDF 1
Lecture 3: Premise – PDF 2
Lecture 4: Premise – PDF – Exercise 1
Lecture 5: Premise – PDF – Exercise 2
Lecture 6: Premise – PDF – Exercise 3
Lecture 7: Premise – PDF – Exercise 4
Lecture 8: Premise – PDF – Exercise 5
Lecture 9: Theme
Lecture 10: Theme – PDF 1
Lecture 11: Theme – PDF 2
Lecture 12: Theme – PDF – Exercise 1
Lecture 13: Theme – PDF – Exercise 2
Lecture 14: Theme – PDF – Exercise 3
Lecture 15: Theme – PDF – Exercise 4
Lecture 16: Theme – PDF – Exercise 5
Lecture 17: Premise & Theme – PDF
Lecture 18: Irony
Lecture 19: Dramatic Irony – PDF
Lecture 20: Situational Irony – PDF
Lecture 21: Verbal Irony – PDF
Lecture 22: Irony – PDF – Exercise 1
Lecture 23: Irony – PDF – Exercise 2
Lecture 24: Irony – PDF – Exercise 3
Lecture 25: Irony – PDF – Exercise 4
Lecture 26: Irony – PDF – Exercise 5
Lecture 27: Clear Line of Action
Lecture 28: Clear Line of Action – PDF
Lecture 29: Clear Line of Action – PDF – Exercise 1
Lecture 30: Clear Line of Action – PDF – Exercise 2
Lecture 31: Clear Line of Action – PDF – Exercise 3
Lecture 32: Clear Line of Action – PDF – Exercise 4
Lecture 33: Clear Line of Action – PDF – Exercise 5
Lecture 34: Protagonist & Objective / Goal
Lecture 35: Protagonist & Objective – PDF
Lecture 36: Protagonist and Objective – PDF – Exercise 1
Lecture 37: Protagonist and Objective – PDF – Exercise 2
Lecture 38: Protagonist and Objective – PDF – Exercise 3
Lecture 39: Protagonist and Objective – PDF – Exercise 4
Lecture 40: Protagonist and Objective – PDF – Exercise 5
Lecture 41: Plausibility
Lecture 42: Plausibility -PDF
Lecture 43: Plausibility – PDF – Exercise 1
Lecture 44: Plausibility – PDF – Exercise 2
Lecture 45: Plausibility – PDF – Exercise 3
Lecture 46: Plausibility – PDF – Exercise 4
Lecture 47: Plausibility – PDF – Exercise 5
Lecture 48: Obstacles
Lecture 49: Obstacles – PDF
Lecture 50: Obstacles – PDF – Exercise 1
Lecture 51: Obstacles – PDF – Exercise 2
Lecture 52: Obstacles – PDF – Exercise 3
Lecture 53: Obstacles – PDF – Exercise 4
Lecture 54: Obstacles – PDF – Exercise 5
Lecture 55: Activity and Action
Lecture 56: Activity and Action – PDF
Lecture 57: Activity and Action – PDF – Exercise 1
Lecture 58: Activity and Action – PDF – Exercise 2
Lecture 59: Activity and Action – PDF – Exercise 3
Lecture 60: Activity and Action – PDF – Exercise 4
Lecture 61: Activity and Action – PDF – Exercise 5
Lecture 62: Conflict
Lecture 63: Conflict – PDF 1
Lecture 64: Conflict – PDF 2
Lecture 65: Conflict- PDF – Exercise 1
Lecture 66: Conflict- PDF – Exercise 2
Lecture 67: Conflict- PDF – Exercise 3
Lecture 68: Conflict- PDF – Exercise 4
Lecture 69: Conflict- PDF – Exercise 5
Lecture 70: Main Tension – Culmination – Resolution
Lecture 71: Main Tension – Culmination – Resolution – PDF
Lecture 72: Main Tension – Culmination – Resolution – PDF – Exercise 1
Lecture 73: Main Tension – Culmination – Resolution – PDF – Exercise 2
Lecture 74: Main Tension – Culmination – Resolution – PDF – Exercise 3
Lecture 75: Main Tension – Culmination – Resolution – PDF – Exercise 4
Lecture 76: Main Tension – Culmination – Resolution – PDF – Exercise 5
Chapter 3: Conclusion
Lecture 1: Conclusion
Lecture 2: Never forget – PDF
Instructors
-
Kamal Sucharan Burri
Filmmaker at Newlight Cinemas
Rating Distribution
- 1 stars: 6 votes
- 2 stars: 2 votes
- 3 stars: 5 votes
- 4 stars: 9 votes
- 5 stars: 15 votes
Frequently Asked Questions
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You can view and review the lecture materials indefinitely, like an on-demand channel.
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