Character Modeling & Texturing For Game – Complete Pipeline

Character Modeling & Texturing For Game – Complete Pipeline, available at $79.99, has an average rating of 4.5, with 154 lectures, based on 704 reviews, and has 4483 subscribers.

You will learn about Character Modeling & Sculpting in Zbrush Retopology in Maya, Topogun & Zbrush UV Unwrapping in Maya Baking Maps in Substance painter Texturing in Substance painter Rendering in Substance Painter This course is ideal for individuals who are Beginner to intermediate level 3d students and artists who wants to learn the full pipeline to create characters for game. It is particularly useful for Beginner to intermediate level 3d students and artists who wants to learn the full pipeline to create characters for game.

Enroll now: Character Modeling & Texturing For Game – Complete Pipeline

Summary

Title: Character Modeling & Texturing For Game – Complete Pipeline

Price: $79.99

Average Rating: 4.5

Number of Lectures: 154

Number of Published Lectures: 154

Number of Curriculum Items: 154

Number of Published Curriculum Objects: 154

Original Price: $89.99

Quality Status: approved

Status: Live

What You Will Learn

Character Modeling & Sculpting in Zbrush
Retopology in Maya, Topogun & Zbrush
UV Unwrapping in Maya
Baking Maps in Substance painter
Texturing in Substance painter
Rendering in Substance Painter

Who Should Attend

Beginner to intermediate level 3d students and artists who wants to learn the full pipeline to create characters for game.

Target Audiences

Beginner to intermediate level 3d students and artists who wants to learn the full pipeline to create characters for game.

STUDENT REVIEWS

Stratis: One character course to rule them all… Finally someone to take us from A to Z , from concepting to a textured animation ready model. This is answering many hobbyist questions on the professional pipeline sequence (and doesn`t shy away from the most overlooked topic of them all: topology) Well done!�
Edgar Y : Amazing course. The essentials are in-depth, well covered & will enable you to create production-ready portfolio characters. Looking forward to more of your courses you’ll be making in the future & keep up the excellent work.�
John T. Meredith: This is an excellent course. Learned things I had not seen any where else. Very clear and point by point step by step. Superior.
Alexandre MEAUX� : Incredible course ! This course provide ALL the possible ways to create something. It’s absolutely not frustrating and you really feel the progress along the course. The Q&R is really helpful and satisfying. Loving this really ! Don’t hesitate�
Jeff Thorne : This is a fantastic course! Nalini takes you from beginning to end of a great project. He shows you multiple ways of modeling to help you make your own choice. A great instructor. I will purchase all of his courses on Maya/Zbrush. Thanks Nalini for a great course.�

MORE REVIEWS LIKE THIS

COURSE DESCRIPTION :

Hi, Welcome to Character Modeling & Texturing For Game – Complete Pipeline Course.

In this course you will Learn to sculpt, retopo & texture an animation ready character for game in Zbrush, Maya, Topogun and Substance Painter. �

Do you want to learn the full process to make a character for game ? if so then this is the course for you.

Welcome and Instructor Intro�

My name is Nalin, I am a 3d Modelling and Texturing Artist and Educator.

I have been teaching since 2008 at various Institution such as ZICA, Reliance Education and Arena Animation. I have also worked as a Character Modelling and Texturing Artist at Lakshya Digital and Dhruva Interactive.

Benefits

At the end of the course, you will be able to create beautiful looking characters for game using Zbrush, Maya, Topogun and Substance Painter.

�

List of Major Components

Modeling and Sculpting Characters Using Zbrush
Retopology using Maya, Topogun & Zbrush
UV Unwrapping in Maya
Texturing Characters and Props Using Substance Painter
Baking Maps
Rendering in Substance Painter

Let’s see how the course is designed and what’s there for you. There would be 13 modules.

1st module – you will learn Zbrush from scratch, Sculpting and poly painting basics by working on a small stylized head project.

2nd module –�I am going to start the main character project and you will learn how to start and block in the character from scratch using dynamesh and zsphere.

3rd module –�you will learn how to block in the clothing of the character using different method I use in production.

4th module –�you will learn how to define the face features and making it look beautiful.

5th module – you will learn how to sculpt stylized hair using zmodeler and some specific brush.

6th module – I will show you how to sculpt stylized clothing wrinkles.

7th module – you will learn all about modelling and sculpting hard surface object zmodeler, dynamesh and some other Technics

8th module – you will learn Maya Basics and this module is for absolute beginners.

9th module – I will do the character retopology in Maya, Topogun and Zbrush. We are going to start with Maya retopo and here you will learn how to use Quad draw tool for retopology. And then I am going to switch to Topogun a specialized retopo software, and you are going to learn it’s magical tools to retopo your character with speed. Then we are going to see how we can also use Zbrush to create low poly �

10th module – you are going to learn character UV unwrapping using Maya 2018 new tool set. Here I am going to show you various ways to unwrap and some new powerful tools. And finally we are going to create the UV layout.

11th module – , I am going to start baking various maps such as Normal, Ambient occlusion, Curvature, position, thickness and Color ID map using Substance painter. I am also going to show you how to eliminates any errors in those maps.

12th module – we are going texture the character inside substance painter. First I am going to start with the very basics of the software and then I am going to texture the clothing, you are going to learn how to create leather jackets. Later I am going to make the character look a little dirty by adding a dirt layer. then I am going to work on the skin and the make up on the face and we are going to paint the eyes next. Then I will put some metal materials on the hard surface parts. Then you will learn how to create glowing emmisive parts. And finaly we are going to render our character with iray.

13th module – then in the final module, I am going to conclude and wrap up the course.
�

Ideal Students�

I have designed this course keeping beginners in mind but it can be very useful for intermediate to advance character artist and students who wants to create their own characters from start to finish but struggles with it because they lack step by step guidance.

Thank you

Feel free to check out the course outline below to see everything that is included in this course.

�

There is a 30 days money back guaranty. Which means if you aren’t satisfied with the course then you can refund it within 30 days. So literally there isn’t any risk at all, so go ahead and click on the enroll button. I can’t wait to see you creating 3d characters for game.

This is Nalin, I thank you for enrolling to the course and I will see you in the first lecture.

Regards,

Nalini kanta jena

Course Curriculum

Chapter 1: Zbrush Basic Sculpting & Poly Painting For Beginners

Lecture 1: What is Zbrush?

Lecture 2: How to Download & Install Zbrush

Lecture 3: Download Concept Art and Resources

Lecture 4: Interface Overview

Lecture 5: Navigating the Canvas

Lecture 6: Sculpting Basics – Head Blocking

Lecture 7: Sculpting Basics – Blocking Face Features

Lecture 8: Sculpting Basics – Refining the Features

Lecture 9: Poly Painting the Face – Adding Base Tone

Lecture 10: Poly Painting the Face – Adding color Zone

Lecture 11: Poly Painting the Face – Adding Freckles

Lecture 12: Eyeball Painting

Lecture 13: Rendering and wrap up

Chapter 2: Sculpting – Blocking the Body

Lecture 1: Customizing Zbrush For Speed

Lecture 2: Setting Reference Image in Zbrush

Lecture 3: Different Ways to Block the Body

Lecture 4: Block the Body Using Zsphere

Lecture 5: Blocking the Basic Shapes with Dynamesh

Lecture 6: Blocking the Hand Using Dynamesh

Lecture 7: Blocking the Head and Wrap Up

Chapter 3: Sculpting – Blocking the Clothing

Lecture 1: Pant Blocking

Lecture 2: Shoe Blocking

Lecture 3: Jacket Blocking

Lecture 4: Tshirt Blocking

Lecture 5: Scarf Blocking

Lecture 6: Gloves Blocking and Wrap Up

Chapter 4: Sculpting – Detailing the Face & Body

Lecture 1: Introduction to Sculptris Pro

Lecture 2: Correcting Face Proportion

Lecture 3: Making the Eyes

Lecture 4: Detailing the Nose

Lecture 5: Detailing the Lip

Lecture 6: Creating the Eyebrows

Lecture 7: Detailing the Hand and Wrap Up

Chapter 5: Sculpting – Stylized Hair

Lecture 1: Downloading and Installing Useful Brushes for Hair

Lecture 2: Creating and Saving your Own Hair Blocking Brush

Lecture 3: Using Gizmo to Bend and Manipulate Hair Clump

Lecture 4: Blocking the Hair Style

Lecture 5: Creating Sharp Edges for Stylized Look

Lecture 6: Creating Hair Strand lines

Lecture 7: Polishing Hair and Wrap up

Chapter 6: Sculpting – Detailing the Clothing

Lecture 1: Creating the Pant Belt

Lecture 2: Adjusting Proportion at this Stage

Lecture 3: Creating Belt Straps

Lecture 4: Sculpting Pant Torn Part

Lecture 5: Sculpting Pockets and Seams

Lecture 6: Sculpting Stylized Folds

Lecture 7: Refining Shoe Shapes

Lecture 8: Adding Leather Folds

Lecture 9: Modeling Strap and Buckle

Lecture 10: Detailing the T shirt

Lecture 11: Jacket Basic Shapes Adjustment

Lecture 12: Fur Collar Sculpting

Lecture 13: Adding Folds to the Jacket

Lecture 14: Blocking the Scarf Folds

Lecture 15: Polishing the Scarf Folds

Lecture 16: Gloves Detailing Wrap Up

Chapter 7: Sculpting – Hard Surface

Lecture 1: Blocking the Bomb Holster

Lecture 2: Detailing the Bomb Holster

Lecture 3: Modeling the Scifi Bomb Clamp

Lecture 4: Detailing the Scifi Bomb Using Panel Loop

Lecture 5: Blocking the Head Phone

Lecture 6: Detailing the Head Phone Ear Part

Lecture 7: Defining the Back Part

Lecture 8: Blocking the Back Fly Machine Strap and Body

Lecture 9: Detailing the Fly Machine Body

Lecture 10: Connecting the Strap to the Fly Machine

Lecture 11: Blocking the Hand Machine Part 01

Lecture 12: Blocking the Hand Machine Part 02

Lecture 13: Detailing the Hand Machine Part 01

Lecture 14: Creating the Circle

Lecture 15: Detailing the Hand Machine Part 02

Lecture 16: Detailing the Hand Machine Part 03

Lecture 17: Creating the Pipe and Strap

Lecture 18: Final Touch and Wrap up of High poly Sculpting in Zbrush Chapter

Lecture 19: Decimating High poly Model for Retopo

Lecture 20: Exporting Decimated Model for Maya and Wrap up

Chapter 8: Maya Basics For Absolute Beginners

Lecture 1: Interface Overview

Lecture 2: Viewport Navigation

Lecture 3: Viewport Display Modes

Lecture 4: Creating Objects and Adjusting Inputs

Lecture 5: Understanding Component and Object Mode

Lecture 6: Selecting Objects and Components

Lecture 7: Using Move, Rotate and Scale Tool

Lecture 8: Using Layers

Lecture 9: Saving Files and Wrap up

Chapter 9: Retopology in Maya, Topogun and Zbrush

Lecture 1: Why Retopo

Lecture 2: Head Retopology – Part1

Lecture 3: Head Retopology – Part2

Lecture 4: Head Retopology – Part3

Lecture 5: Using Topogun for Retopo

Lecture 6: Body Retopology in Topogun- Torso Part01

Instructors

Nalini Kanta Jena
3D Character Instructor

Rating Distribution

1 stars: 7 votes
2 stars: 11 votes
3 stars: 57 votes
4 stars: 204 votes
5 stars: 425 votes

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