The ultimate tool makers guide to the Affinity Suite
The ultimate tool makers guide to the Affinity Suite, available at $64.99, has an average rating of 4.85, with 90 lectures, based on 52 reviews, and has 498 subscribers.
You will learn about How to make digital brushes ( both raster and vector) using Affinity Designer and Photo How to Use hitfilm express to help generate base images for their brushes and overlays How to use physical materials to create brushes, overlays and color pallets How to utilize these tools in a real life project This course is ideal for individuals who are Designers looking to develop brushes and tools for use in their work or Photo editors and compositors looking to create specail effects, light effects and color effects in their art or Artists interested inn creating assets for posting on other platforms to augment their art endeavors It is particularly useful for Designers looking to develop brushes and tools for use in their work or Photo editors and compositors looking to create specail effects, light effects and color effects in their art or Artists interested inn creating assets for posting on other platforms to augment their art endeavors.
Enroll now: The ultimate tool makers guide to the Affinity Suite
Summary
Title: The ultimate tool makers guide to the Affinity Suite
Price: $64.99
Average Rating: 4.85
Number of Lectures: 90
Number of Published Lectures: 90
Number of Curriculum Items: 90
Number of Published Curriculum Objects: 90
Original Price: $89.99
Quality Status: approved
Status: Live
What You Will Learn
- How to make digital brushes ( both raster and vector) using Affinity Designer and Photo
- How to Use hitfilm express to help generate base images for their brushes and overlays
- How to use physical materials to create brushes, overlays and color pallets
- How to utilize these tools in a real life project
Who Should Attend
- Designers looking to develop brushes and tools for use in their work
- Photo editors and compositors looking to create specail effects, light effects and color effects in their art
- Artists interested inn creating assets for posting on other platforms to augment their art endeavors
Target Audiences
- Designers looking to develop brushes and tools for use in their work
- Photo editors and compositors looking to create specail effects, light effects and color effects in their art
- Artists interested inn creating assets for posting on other platforms to augment their art endeavors
As we know custom tools add a completely new aspect to an artist’s work, and there are ton of people out there creating them….so why aren’t you?
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Are you competent in the Affinity products of Photo and / or Designer, but not sure how to go about making your own tool?
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Are you not sure what to make, how to develop them…or even what the steps are to make your own tools?
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Or maybe you are in interested in trading or one day selling your tools to those that are fans and follow your work… then this one is for you
I have been teaching the affinity Suite now for over 3 years to thousands of students and I want to put the power to create with this amazing software in your hands….along with so much more.
In this course we will utilize the affinity suite of products ( Designer and Photo) to create the following digital tools
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Brushes (both Vector and Raster)
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Overlays
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Textures
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Asset Packs
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Gradients, LUTS, and Pallets
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Mock ups
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and so much more….
What sort of software and projects will be complete
We will be using Affinity Designer and Photo , but we are also going to be using a free software from FX home called HITFILM EXPRESS to bring the world of CGI into play when we make our tools, and as a totally optional piece of my workflow I will be showing you how I use Vector Magic to create vectorized textures for use in larger projects….so from concept to finished tool, you see the entire pipeline we use to create professional tools for use in Affinity
In this course we make the tools and apply them to 2 real life step by step projects….ONE BEING AN ILLUSTRATION , the other is a FULLY RENDERED PHOTO COMPOSITE…. if you don’t have BOTH Affinity Programs, no worries , easily 90% of the course content is applicable to BOTH software systems, so you will never feel like the course is geared toward one or the other
What kinds of topics are in the course
We polled Affinity users from some of the largest forums out there and asked them what they wanted to know when it came to tool building …and then we crammed it into this course , included in the course are topics on
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Smoke and Flame brushes
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Halftone brushes
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Mock up creation
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hand drawn strokes converted into vector brushes
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Faking studio lights
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Gradient pallets for color grading techniques
What level of experience do you need to take this course
While this is not a beginner course, you do not need a high level of Affinity knowledge to take this course, and as long as you know the basics you will be fine….HOWEVER if you are new to digital art ( i.e. if you do not know what a mask layer or a blend mode are) , then this may not be a good fit for you
What will you achieve when you complete the course?
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You get 2 of my professional brush packs that we DID NOT MAKE in the course, just for being part of it
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You get all of the source files, brush files and you will have a complete set of digital tools made and customized by you …for you
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You will have student support through the platform
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You will have completed 2 projects, one illustration and one composition
Overall this is the course out there I wish I had when I got started , and I am proud to share it with you ..enjoy
Course Curriculum
Chapter 1: Course Introduction and first project
Lecture 1: Introduction to the course and what to expect
Lecture 2: Downloads for this section of the course
Lecture 3: Introduction to digital tools
Lecture 4: What tools are we going to make and what does a pipeline look like
Lecture 5: Making your first digital tool
Lecture 6: Reverse engineering a tool to make your own
Lecture 7: Doing your market research to create your own toolbox
Chapter 2: Making Vector based brushes in Affinity Designer
Lecture 1: Introduction to the section
Lecture 2: Downloads for the Vector Brush section
Lecture 3: What are vector brushes and what are they used for
Lecture 4: Making Brushes – intensity vs Image brushes and How to export both
Lecture 5: When to use Intensity vs image brushes
Lecture 6: Tools we will use to create vector brushes
Lecture 7: Making physical strokes on paper
Lecture 8: Scanning and adjusting the image
Lecture 9: Basic Brush settings and troubleshooting
Lecture 10: Where to go to get Vector Brush inspiration
Lecture 11: Making vector brushes in Affinity Designer
Lecture 12: Applying your vector brushes in a real life project-Skull
Lecture 13: Applying your vector brushes in a real life project- The snake
Chapter 3: Raster Brushes for Illustrators
Lecture 1: Introduction to the section
Lecture 2: Downloads for the raster brush section
Lecture 3: What is a raster based brush and what is it used for
Lecture 4: Basic Brush settings Part 1
Lecture 5: Basic Brush settings part 2
Lecture 6: Where to go to get images for raster based brushes
Lecture 7: Making a texturizing brush from Concrete
Lecture 8: Making a seamless texture in Affintiy Designer
Lecture 9: Making a seamless texture in Affinity Photo
Lecture 10: Working in half tones with Affinity Designer
Lecture 11: Working with half tones in Affinity Photo
Lecture 12: Making a spray brush using multiple nozzle tips
Lecture 13: Making a flame brush using sub brushes
Lecture 14: Shading the snake- Application project
Chapter 4: Making textures and Overlays
Lecture 1: Introduction to the section
Lecture 2: What is a texture vs an overlay
Lecture 3: 3 places to find textures
Lecture 4: Making hand drawn textures
Lecture 5: Scanning and adjusting Textures VIDEO 04 040
Lecture 6: Vectorizing textures
Lecture 7: Making half tone overlays in Affinity PHOTO
Lecture 8: Shooting and making textures in Affinity
Chapter 5: Making Pallets, Assets and Styles in Affinity
Lecture 1: Introduction to the section
Lecture 2: Downloads for this section
Lecture 3: What is an asset pack
Lecture 4: Isolating and vectorizing assets part 1
Lecture 5: Manually creating assets and making categories
Lecture 6: Public domain and Vectoring assets for packs
Lecture 7: Creating Pallets in Affinity Designer
Lecture 8: Creating styles in Affinity Designer
Lecture 9: Finishing the snake
Chapter 6: Raster Based brushes for special effects
Lecture 1: Introduction to the section
Lecture 2: Downloadable files
Lecture 3: Making Flare brushes in Hit film Express
Lecture 4: Finishing the flare brush in Affinity
Lecture 5: Making smoke and Fog brushes
Lecture 6: Making fog brushes in Affinity Photo
Lecture 7: Making a lightning pack
Lecture 8: Making particle brushes
Lecture 9: Making assets from physical objects
Lecture 10: Making smoke and flame brushes
Lecture 11: Making Paper tear brushes
Lecture 12: Working with styles in Affinity Photo
Lecture 13: Making magic effect styles in Affinity
Chapter 7: Making Luts, Lights and Overlays
Lecture 1: Introduction to the section
Lecture 2: Downloads for the section
Lecture 3: What is a gradients for use in photos
Lecture 4: Making color pallets from Physical objects
Lecture 5: Making Luts in Affinity
Lecture 6: Making studio lights in Affinity
Lecture 7: What is an overlay as I define it
Lecture 8: Making Overlays in Hitfilm Express
Lecture 9: Making Atmospheric overlays
Chapter 8: Making Mock ups in Affinity
Lecture 1: Introduction to the section
Lecture 2: Downloads for the section
Lecture 3: Setting up and shooting poster mock up
Lecture 4: Layering the poster mock-up
Lecture 5: Adding Shadows and masking the poster mock up
Lecture 6: Adding images to the poster mock up
Lecture 7: Shooting and Laying out the window lit mock up
Lecture 8: Adding window light and finishing the mock up
Lecture 9: Embedded images lesson 1
Lecture 10: Utilizing embedded images in the poster from the course
Chapter 9: Making a composite using the assets we have created
Lecture 1: Introduction to the section
Lecture 2: Downloads for the section
Lecture 3: Setting up the atmosphere and inserting the mandala
Lecture 4: Working with glow, adding sparks and lightning
Lecture 5: Adding light and texture
Lecture 6: Color grading
Chapter 10: Thank you and wrap up
Lecture 1: Wrap up and thank you
Instructors
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Jeremy Hazel
Professional artist and career creative
Rating Distribution
- 1 stars: 0 votes
- 2 stars: 1 votes
- 3 stars: 4 votes
- 4 stars: 12 votes
- 5 stars: 35 votes
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