Acrylic ABSTRACT with a Painting Knife. Part 1
Acrylic ABSTRACT with a Painting Knife. Part 1, available at $44.99, has an average rating of 4.65, with 60 lectures, based on 73 reviews, and has 519 subscribers.
You will learn about Paint a dynamic Abstract with only 2 Primary Colours and White Do a Colour Mixing exercise first to prepare you for the featured Abstract How to layout and organize the Colours on your Palette Paint with Crimson – Lemon and White and mix Secondary Colours and Tints Mix clean colours with your Painting Knife Paint using pieces of Cotton Rag and a Painting Knife blending edges and colours together Create a Focal Point with contrast so that the eye is drawn to it Place bright accents on the Focal Point that pop and give the painting a 3D effect Use the tip of the Painting Knife to scratch marks into the paint to create visual interest and texture Paint a Mini Abstract at the end as a fun exercise This course is ideal for individuals who are Beginners who want to start their journey into Abstract Painting with acrylics or Students with some experience who want to move on and discover a simple approach to Abstract Painting or Students who have tried to create abstracts and have become overwhelmed and frustrated by using too many colours and end up with a muddy painting It is particularly useful for Beginners who want to start their journey into Abstract Painting with acrylics or Students with some experience who want to move on and discover a simple approach to Abstract Painting or Students who have tried to create abstracts and have become overwhelmed and frustrated by using too many colours and end up with a muddy painting.
Enroll now: Acrylic ABSTRACT with a Painting Knife. Part 1
Summary
Title: Acrylic ABSTRACT with a Painting Knife. Part 1
Price: $44.99
Average Rating: 4.65
Number of Lectures: 60
Number of Published Lectures: 60
Number of Curriculum Items: 60
Number of Published Curriculum Objects: 60
Original Price: A$44.99
Quality Status: approved
Status: Live
What You Will Learn
- Paint a dynamic Abstract with only 2 Primary Colours and White
- Do a Colour Mixing exercise first to prepare you for the featured Abstract
- How to layout and organize the Colours on your Palette
- Paint with Crimson – Lemon and White and mix Secondary Colours and Tints
- Mix clean colours with your Painting Knife
- Paint using pieces of Cotton Rag and a Painting Knife blending edges and colours together
- Create a Focal Point with contrast so that the eye is drawn to it
- Place bright accents on the Focal Point that pop and give the painting a 3D effect
- Use the tip of the Painting Knife to scratch marks into the paint to create visual interest and texture
- Paint a Mini Abstract at the end as a fun exercise
Who Should Attend
- Beginners who want to start their journey into Abstract Painting with acrylics
- Students with some experience who want to move on and discover a simple approach to Abstract Painting
- Students who have tried to create abstracts and have become overwhelmed and frustrated by using too many colours and end up with a muddy painting
Target Audiences
- Beginners who want to start their journey into Abstract Painting with acrylics
- Students with some experience who want to move on and discover a simple approach to Abstract Painting
- Students who have tried to create abstracts and have become overwhelmed and frustrated by using too many colours and end up with a muddy painting
This Acrylic AbstractPainting course will have you painting this dynamic Abstract right from the start. You will mix clean colours and apply them to your canvas using pieces of Cotton Rag and the Painting Knife. You will start by doing a simple Colour Mixing Exercise using the Painting Knife to mix and apply the colours. The purpose of this is to introduce you to the colours and tints that you will be mixing for the featured Abstract in this course!
The composition for this Abstract is simple and you will learn how to mix colours effectively with just 2 Primary Colours and White. You will also mix a variety of a Secondary Colour and a range of Tints with the addition of White. You will also create a Focal Point with colour accents that pop off the canvas so that the eye is drawn to it.
The colour theme for this Abstract is based on rich dark Crimsons, Burnt Oranges and bright Lemons. Understanding how to create a colour theme and focal point and mix clean colours and tints is vital to the success of any Abstract Painting.
If you have no previous knowledge or experience of painting Abstracts, by following this easy step by step course you will quickly learn the fundamentals of how to mix colours and tints. You will enjoy using your Painting Knife and pieces of Cotton Rag to apply the paint to your canvas and also blend the edges of your colours together.
You will start painting immediately using pieces of Rag to block in the main areas of colour. Applying the paint this way is a fun and enjoyable way to get you started and it will help you to keep a loose approach. You will then use your Painting Knife to develop the Abstract applying thick colours and use the tip of the Knife to scratch marks into the wet paint to create shapes of visual interest and texture!
I will demonstrate each step so that you can watch and paint along with me as you progress through the course. You will see plenty of close ups of colour mixing on the palette and applying the paint to the canvas with rags and knife.
I know that you will really enjoy the freedom of painting using the techniques in this course and at the same time you will gain a good understanding of how to mix colours successfully. Also you’ll have a great amount of fun in the process! Here’s to your enjoyment! Let’s paint Abstract!
Who is the ABSTRACTS in ACRYLICS instructor?
My name is Gerald Ashcroft Artist and Teacher and I have run many Abstract and Landscape workshops over the years.
I have created this course for beginners who want to discover the freedom and fun of Abstract Painting with pieces of Cotton Rag and a Painting Knife. I want to show you just what you can achieve by using a very limited palette of colours to create an Abstract with a Colour Theme that works!
Workshop Testimonials Western Australia:
Prior to joining Gerald’s Abstract Workshop I had no experience painting since I left school several decades ago. With great patience, Gerald guided our group through colours, mixing shades & different techniques with painting knife, brush to good old gravity. From being very apprehensive at the beginning, I gained much needed confidence with Gerald’s step by step approach.
My opinion of my own ability has grown in a positive way since these workshops & I now look forward to putting brush to canvas on a regular basis.
Liz Perth WA
This is just a note to thank you for your excellent recent workshop.
As usual you displayed a high degree of professionalism and knowledge coupled with a friendly, encouraging manner.
Your classes are always enjoyable and importantly your style of teaching, which is focused and structured, enables real learning to take place. I particularly appreciated your emphasis on tone and the ‘blocking in’ method you taught and found it to be very helpful.
Thank you and I look forward to the next workshop!
Chris Perth WA
I think what I enjoyed most about my course in Painting Landscapes with Gerald Ashcroft was his gentle way of putting everyone at ease, regardless of our experience or level of skill. Genuinely interested in each student, he encouraged us to explore techniques and research other opportunities to develop our practice.
Jo Perth WA
Course Curriculum
Lecture 1: Welcome to the Course
Chapter 1: Getting Started
Lecture 1: Painting Materials
Chapter 2: Colour Mixing Exercise – MUST DO
Lecture 1: Introduction
Lecture 2: Palette Layout
Lecture 3: Lemon and Crimson Primary Colours
Lecture 4: Burnt Orange
Lecture 5: Lemon Orange
Lecture 6: Crimson Orange
Lecture 7: Orange Tint 1
Lecture 8: Orange Tint 2
Lecture 9: Lemon Orange Tint 1
Lecture 10: Lemon Orange Tint 2
Lecture 11: Crimson Orange Tint 1
Lecture 12: Crimson Orange Tint 2
Lecture 13: Lemon Tint 1
Lecture 14: Lemon Tint 2
Lecture 15: Crimson Tint 1
Lecture 16: Crimson Tint 2
Lecture 17: Conclusion
Chapter 3: Preparation for ABSTRACT 1
Lecture 1: Introduction
Lecture 2: Divide Up The Canvas
Lecture 3: Palette Layout
Lecture 4: Tinting The Canvas
Chapter 4: Stage 1 – Blocking In the Colours
Lecture 1: Line In the Composition
Lecture 2: Rag in the Crimson
Lecture 3: Rag In Focal Point
Lecture 4: Rag in Deep Crimson Orange
Lecture 5: Rag in Mid Orange
Lecture 6: Rag in Lemon Orange – Top
Lecture 7: Rag in Crimson Orange Tint
Chapter 5: Stage 2 – Developing with the Painting Knife
Lecture 1: Knife in the Crimson – Left
Lecture 2: Scratch Marks with the Knife – Left
Lecture 3: Knife in Crimson – Right
Lecture 4: Blending Edges
Lecture 5: Focal Point
Lecture 6: Scratch Marks with the Knife – Right
Lecture 7: Deep Crimson Orange
Lecture 8: Blending Edges
Lecture 9: Mid Crimson Orange
Lecture 10: Lemon Orange – Top
Lecture 11: Lemon Orange Strips
Lecture 12: Lemon Center
Chapter 6: Stage 3 – Final Stage
Lecture 1: Light Crimson Tint – Top
Lecture 2: Additional Tint – Top
Lecture 3: Lemon Orange – Bottom
Lecture 4: Bright Accents
Lecture 5: Focal Point Highlight
Lecture 6: Highlight Strip – Right
Lecture 7: Conclusion
Chapter 7: BONUS – Mini ABSTRACT
Lecture 1: Introduction & Crimson
Lecture 2: Lemon
Lecture 3: Burnt Orange
Lecture 4: Crimson Orange
Lecture 5: Crimson Orange Tint
Lecture 6: Lemon Orange
Lecture 7: Lemon Orange Tint
Lecture 8: Crimson Tint blob
Lecture 9: Scratch Marks
Lecture 10: Focal Point
Lecture 11: Conclusion and next Abstract Course
Instructors
-
Gerald Ashcroft
Landscape and Abstract Artist and Teacher
Rating Distribution
- 1 stars: 1 votes
- 2 stars: 1 votes
- 3 stars: 11 votes
- 4 stars: 12 votes
- 5 stars: 48 votes
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