A Modern Approach To Guitar.
A Modern Approach To Guitar., available at $54.99, has an average rating of 5, with 44 lectures, based on 3 reviews, and has 11 subscribers.
You will learn about Expand melodic vocabulary Develop the ability to connect and blend three pentatonic scales into melodic lines and phrases for a modern sound. Play melodic lines over major and minor chords with seventh, dominants, half diminished, harmonic progressions, and modes generated by the major diatonic scale. Provide the student with a technical evolution and mastery of the instrument through specific exercises. To Bring inspiration and ideas to create your own solos and improvisation. The subjects covered in the course meet the interests of students from different musical styles such as Rock, Pop, Jazz, Funk, R&B, Bossa Nova, Samba, MPB, etc. This course is ideal for individuals who are Beginner and intermediate level students. It is particularly useful for Beginner and intermediate level students.
Enroll now: A Modern Approach To Guitar.
Summary
Title: A Modern Approach To Guitar.
Price: $54.99
Average Rating: 5
Number of Lectures: 44
Number of Published Lectures: 44
Number of Curriculum Items: 44
Number of Published Curriculum Objects: 44
Original Price: $94.99
Quality Status: approved
Status: Live
What You Will Learn
- Expand melodic vocabulary
- Develop the ability to connect and blend three pentatonic scales into melodic lines and phrases for a modern sound.
- Play melodic lines over major and minor chords with seventh, dominants, half diminished, harmonic progressions, and modes generated by the major diatonic scale.
- Provide the student with a technical evolution and mastery of the instrument through specific exercises.
- To Bring inspiration and ideas to create your own solos and improvisation.
- The subjects covered in the course meet the interests of students from different musical styles such as Rock, Pop, Jazz, Funk, R&B, Bossa Nova, Samba, MPB, etc.
Who Should Attend
- Beginner and intermediate level students.
Target Audiences
- Beginner and intermediate level students.
The course takes a modern approach to applying the pentatonic scale to solos and improvisation in tonal and modal harmonies through the use of combined pentatonics to bring a new flavor to the scale’s signature sound.
Through the classes taught in the course you will:
1- Expand your melodic vocabulary through various examples with musical phrases to create your own solos and improvisations
2- Develop the ability to connect and blend three pentatonic scales into melodic lines and phrases for a modern sound.
3-Play melodic lines over major and minor chords with seventh, dominants, half diminished, harmonic progressions, and modes generated by the major diatonic scale.
4- Evolve technically and master the instrument through specific exercises.
The subjects covered in the course meet the interests of students from different musical styles such as Rock, Pop, Jazz, Funk, R&B, Bossa Nova, Samba, MPB, etc.
The course’s classes were organized into seven sections:
1. Introduction.
Six lessons on how to connect three different pentatonics in a single position to facilitate melodic fluency in solos and improvisation.
2. Theory.
A class covers the melodic and harmonic relationship of the contents taught and its applicability in a musical context.
3. Pentatonic Lateral Pattern.
Two classes of lateral exercises that make melodic execution easy, smooth and fluid.
4. Melody lines.
Twenty lessons with examples of melodic lines based on rhythmic and melodic patterns for the student to use in creating modern solos and improvisations.
5. Demonstration.
Two classes, the first one brings a demonstration solo to serve as a practical example of the contents taught in the classes applied in a musical context and the second brings a backing track for the student to practice.
6. Extra – Technique.
Extra technique course with ten lessons with technical improvement exercises to obtain precision and mastery of the instrument.
7. Closing
Thanks and solo. After the end of the course, students will be able to put into practice all the material learned in class to compose their own solos and improvisations.
Course Curriculum
Chapter 1: Introduction – Combined Pentatonics Shapes
Lecture 1: Combined Pentatonics Shapes #1
Lecture 2: Combined Pentatonics Shapes #2
Lecture 3: Combined Pentatonics Shapes #3
Lecture 4: Combined Pentatonics Shapes #4
Lecture 5: Combined Pentatonics Shapes #5
Lecture 6: Combined Pentatonics Shapes #1a
Chapter 2: Theory
Lecture 1: Theoretical Explanation
Chapter 3: Pentatonic Lateral Pattern
Lecture 1: Pentatonic Lateral Pattern 1
Lecture 2: Pentatonic Lateral Pattern 2
Chapter 4: Melodic Lines
Lecture 1: Combined Pentatonics #1
Lecture 2: Combined Pentatonics #2
Lecture 3: Combined Pentatonics #3
Lecture 4: Combined Pentatonics #4
Lecture 5: Combined Pentatonics #5
Lecture 6: Combined Pentatonics #6
Lecture 7: Combined Pentatonics #7
Lecture 8: Combined Pentatonics #8
Lecture 9: Combined Pentatonics #9
Lecture 10: Combined Pentatonics #10
Lecture 11: Combined Pentatonics #11
Lecture 12: Combined Pentatonics #12
Lecture 13: Combined Pentatonics #13
Lecture 14: Combined Pentatonics #14
Lecture 15: Combined Pentatonics #15
Lecture 16: Combined Pentatonics #16
Lecture 17: Combined Pentatonics #17
Lecture 18: Combined Pentatonics #18
Lecture 19: Combined Pentatonics #19
Lecture 20: Combined Pentatonics #20
Chapter 5: Demonstration
Lecture 1: Guitar Solo
Lecture 2: Backing Track
Chapter 6: Extra Content – Technique
Lecture 1: Technique #1
Lecture 2: Technique #2
Lecture 3: Technique #3
Lecture 4: Technique #4a
Lecture 5: Technique #4b
Lecture 6: Technique #5a
Lecture 7: Technique #5b
Lecture 8: Technique #6
Lecture 9: Technique #7
Lecture 10: Technique #8
Lecture 11: Technique #9
Lecture 12: Technique #10
Chapter 7: Closing
Lecture 1: Closing Solo
Instructors
-
Teo Santos Jr.
Musician Composer and Guitar Player
Rating Distribution
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- 2 stars: 0 votes
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- 4 stars: 0 votes
- 5 stars: 3 votes
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