Music Theory Comprehensive Complete: Parts 13, 14, & 15
Music Theory Comprehensive Complete: Parts 13, 14, & 15, available at $129.99, has an average rating of 4.85, with 119 lectures, based on 251 reviews, and has 7094 subscribers.
You will learn about Master college-level Music Theory Class Compose music in the style of the great composers Create more emotional music using suspensions, resolutions, and non-chord tones effectively Pitches and Pitch Classes The keyboard layout The 2 main clefs Reading Rhythms The main musical symbols you find in scores The 4 main scale patterns The 3 notes in any chord (and how to find them!) Analysis projects of Bach, Beethoven, Mozart, and some modern music as well! How 7th chords work Secondary Dominants Neapolitan Chords French Augmented Six Chords German Augmented Six Chords Italian Augmented Six Chords And much, much, more! This course is ideal for individuals who are Anyone in any country, and any age, who is ready to start learning music in a fun, casual, and informative way. or This course is designed for anyone who has wondered about music theory and is ready to fully explore it. or Songwriters, producers, and instrumentalists will benefit from this course by understanding music on a deeper level. It is particularly useful for Anyone in any country, and any age, who is ready to start learning music in a fun, casual, and informative way. or This course is designed for anyone who has wondered about music theory and is ready to fully explore it. or Songwriters, producers, and instrumentalists will benefit from this course by understanding music on a deeper level.
Enroll now: Music Theory Comprehensive Complete: Parts 13, 14, & 15
Summary
Title: Music Theory Comprehensive Complete: Parts 13, 14, & 15
Price: $129.99
Average Rating: 4.85
Number of Lectures: 119
Number of Published Lectures: 118
Number of Curriculum Items: 119
Number of Published Curriculum Objects: 118
Original Price: $109.99
Quality Status: approved
Status: Live
What You Will Learn
- Master college-level Music Theory Class
- Compose music in the style of the great composers
- Create more emotional music using suspensions, resolutions, and non-chord tones effectively
- Pitches and Pitch Classes
- The keyboard layout
- The 2 main clefs
- Reading Rhythms
- The main musical symbols you find in scores
- The 4 main scale patterns
- The 3 notes in any chord (and how to find them!)
- Analysis projects of Bach, Beethoven, Mozart, and some modern music as well!
- How 7th chords work
- Secondary Dominants
- Neapolitan Chords
- French Augmented Six Chords
- German Augmented Six Chords
- Italian Augmented Six Chords
- And much, much, more!
Who Should Attend
- Anyone in any country, and any age, who is ready to start learning music in a fun, casual, and informative way.
- This course is designed for anyone who has wondered about music theory and is ready to fully explore it.
- Songwriters, producers, and instrumentalists will benefit from this course by understanding music on a deeper level.
Target Audiences
- Anyone in any country, and any age, who is ready to start learning music in a fun, casual, and informative way.
- This course is designed for anyone who has wondered about music theory and is ready to fully explore it.
- Songwriters, producers, and instrumentalists will benefit from this course by understanding music on a deeper level.
Welcome to the COMPLETE Music Theory Guide!
This course is “5-Star Certified” by the International Association of Online Music Educators and Institutions (IAOMEI). This course has been independently reviewed by a panel of experts and has received a stellar 5-star rating.
This is a class designed for the average person who is ready to take their music career (or music interest) and level up. Whether you are an active musician, an aspiring musician, or an aspiring music manager or agent – this class is perfect for you.
For years I’ve been teaching Music Theory in the college classroom. These classes I’m making for Udemy use the same syllabus I’ve used in my college classes for years, at a fraction of the cost. I believe anyone can learn Music Theory – and cost shouldn’t be a barrier.
My approach to music theory is to minimize memorization. Most of these concepts you can learn by just understanding why chords behave in certain ways. Once you understand those concepts, you can find any scale, key, or chord that exists. Even invent your own. If you’ve tried to learn music theory before, or if you are just starting out – this series of courses is the perfect fit.
Dr. Allen is a professional musician, top-rated Udemy instructor, and university professor. In 2017 the Star Tribune featured him as a “Mover and a Shaker,” and he is recognized by the Grammy Foundation for his music education classes.
Throughout this class, If you get stuck, you can review the videos or post a question, and I’ll back to it as fast as possible.
This class is a combined class and includes all parts 13, 14, and 15.
100% Answer Rate!Every single question posted to this class is answered within 24 hours by the instructor.
In this class, we will cover:
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Modulation and Tonicization
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Rules for Modulation
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Using Pivot Chords
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Analyzing Mozart
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Modulating to V using Pivot Chords
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Modulating to the Relative Major Using Pivot Chords
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Pivoting from I to IV
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Pivoting from i to v
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Rules of Pivoting
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Direct Modulations
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Abrupt Modulations
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Analyzing Bach
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Modulations by Secondary Dominant
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Modulation Challenge
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Mary Had a Little Modulation
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New Developments in Form
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Binary Form
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Rounded Binary Form
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Binary Form in a Minor Key
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Phrasing in Binary Form
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Balanced Binary Form
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Simple Ternary Form
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Composite Ternary Form
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Baroque Era Contrapuntal Devices
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The Subject
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Fortspinnung
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Compound Melody
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Step Progressions
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Analyzing the Subject
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Real and Tonal Answers
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The Countersubject
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Invertible Counterpoint
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Double and Triple Counterpoint
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Exposition Analysis
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The Episode
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Analyzing the Episode
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Graphing a Fugue
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Double and Triple Fugues
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Stretto
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Inversion
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Augmentation
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Diminution
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Canon
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Why do we care about Fugues?
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Mode Mixture
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4-Voice Harmony in Mixture Settings
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Modification to Earlier Rules
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Solfege in Chromatic Settings
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The Chromatic Pre-Dominant Chords
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The Neapolitan Six Chord
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Analysis: Moonlight Sonata (Beethoven)
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Analysis: Piano Sonata in D Major (Mozart)
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Italian Augmented 6th Chords
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French Augmented 6th Chords
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German Augmented 6th Chords
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Resolutions to Augmented 6th Chords
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Analysis: Mozart String Quartet
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How to Study for Music Theory Placement Tests
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…and much, much more!
You will not have another opportunity to learn Music Theory in a more comprehensive way than this.
All the tools you need to successfully learn Music Theory is included in this course and the entire course is based on real-life experiences – not just academic theory.
Please click the “Take This Course” button so you can launch your music career today.
Test Prep:
This course is perfect for prep for the Praxis II Test (ETS Praxis Music), The ABRSM Music Theory Exam (up to Grade 8), AP Music Theory Exam, College Placement Exams (Music Theory), and other common secondary and post-secondary placement exams.
** I guarantee that this course is the most thorough music theory course available ANYWHERE on the market – or your money back (30-day money-back guarantee, as per Udemy Policy) **
Closed captions have been added to all lessons in this course.
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Praise for Courses by Jason Allen:
⇢ “It seems like every little detail is being covered in an extremely simple fashion. The learning process becomes relaxed and allows complex concepts to get absorbed easily. My only regret is not taking this course earlier.” – M. Shah
⇢ “Great for everyone without any knowledge so far. I bought all three parts… It’s the best investment in leveling up my skills so far..” – Z. Palce
⇢ “Excellent explanations! No more or less than what is needed.” – A. Tóth
⇢ “VERY COOL. I’ve waited for years to see a good video course, now I don’t have to wait anymore. Thank You!” – Jeffrey Koury
⇢ “I am learning LOTS! And I really like having the worksheets!” – A. Deichsel
⇢ “The basics explained very clearly – loads of really useful tips!” – J. Pook
⇢ “Jason is really quick and great with questions, always a great resource for an online class!” M. Smith
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Course Curriculum
Chapter 1: Introduction
Lecture 1: Introduction
Lecture 2: Tools you will need for this class
Lecture 3: [Download] Staff Paper
Lecture 4: Review!
Lecture 5: The Full MuseScore File
Lecture 6: [Download] Master Example File
Chapter 2: Modulation
Lecture 1: Modulation Vs. Tonicization
Lecture 2: Rules for Modulation
Chapter 3: Pivot Chord Modulation
Lecture 1: Using Pivot Chords
Lecture 2: Mozart, Piano Sonata in D Major
Lecture 3: Analyzing the Pivot Chord
Lecture 4: Modulating to V using Pivot Chords
Lecture 5: Modulating to the Relative Major using Pivot Chords
Lecture 6: Pivoting from I to IV
Lecture 7: Pivoting from i to v
Lecture 8: Rules of Pivot Chords
Chapter 4: Direct Modulation
Lecture 1: Abrupt Modulations
Lecture 2: Bach, O haupt voll blut und wunden
Lecture 3: Modulations in Bach
Lecture 4: Bach Errors?
Lecture 5: Modulation by Secondary Dominant
Chapter 5: The Modulation Challenge
Lecture 1: The Modulation Game
Lecture 2: Mary Had A Little Modulation
Lecture 3: The Easy Part
Lecture 4: The Modulation
Lecture 5: The Cadence
Chapter 6: Back to Form
Lecture 1: New Developments in Form
Lecture 2: Listening
Lecture 3: [Download] Score
Lecture 4: Rounded Binary
Lecture 5: The B Section
Lecture 6: Rounded Binary Recap
Lecture 7: Binary in a Minor Key
Lecture 8: Phrasing in Binary Form
Lecture 9: Balanced Binary Form
Chapter 7: Ternary Form
Lecture 1: Simple Ternary Form
Lecture 2: Composite Ternary Form
Lecture 3: Form Summary
Chapter 8: Wrap Up (Part 13)
Lecture 1: What comes next? The Fugue!
Lecture 2: Thanks for Watching!
Chapter 9: Introduction (Part 14)
Lecture 1: Introduction
Lecture 2: Tools You Will Need
Lecture 3: [Download] Staff Paper
Lecture 4: A Little Review
Lecture 5: The Master Example File
Lecture 6: [Download] The Full MuseScore File
Chapter 10: Baroque Era Contrapuntal Devices
Lecture 1: What Exactly Are We Talking About Here?
Lecture 2: The Subject
Lecture 3: Fortspinnung
Lecture 4: Compound Melody
Lecture 5: Step Progressions
Chapter 11: The Exposition
Lecture 1: How to Listen to Fugues and Inventions
Lecture 2: [Download] Bach, Fugue in G Minor
Lecture 3: The Subject
Lecture 4: Analyzing the Subject
Lecture 5: Real and Tonal Answers
Lecture 6: The Countersubject
Lecture 7: Invertible, Double, and Triple Counterpoint
Lecture 8: Exposition Analysis
Lecture 9: [Download] Bach, Fugue in G minor with Exposition Analysis
Chapter 12: The Episode
Lecture 1: The Episode, Defined
Lecture 2: Analyzing the Episode
Lecture 3: Graphing a Fugue
Lecture 4: [Download] Graph Analysis
Lecture 5: Another Episode Example
Chapter 13: Tricks!
Lecture 1: Beyond the Basic Fugue
Lecture 2: Double and Triple Fugues
Lecture 3: Listening: Bach, St. Anne Fugue
Lecture 4: Stretto
Lecture 5: [Download] Bach, Fugue in C Major
Lecture 6: Inversion
Lecture 7: Augmentation
Lecture 8: Diminution
Lecture 9: Canon
Lecture 10: [Download] Bach, Invention No. 2 in C Minor
Lecture 11: Why Do We Care About Fugues?
Chapter 14: Wrap Up
Lecture 1: What Comes Next? New Harmonies and Mode Mixture!
Lecture 2: Thanks for Watching!
Chapter 15: Introduction (Part 15)
Lecture 1: Introduction (Part 15)
Lecture 2: Tools!
Lecture 3: [Download] Staff Paper
Lecture 4: Review
Lecture 5: The Full MuseScore File
Lecture 6: [Download] MuseScore Master File
Chapter 16: Mode Mixture Fundamentals
Instructors
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J. Anthony Allen
Ph.D / Ableton Certified Trainer
Rating Distribution
- 1 stars: 0 votes
- 2 stars: 2 votes
- 3 stars: 6 votes
- 4 stars: 51 votes
- 5 stars: 192 votes
Frequently Asked Questions
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