Digital, Virtual and AI Photography
Digital, Virtual and AI Photography, available at Free, has an average rating of 4.29, with 65 lectures, based on 7 reviews, and has 1618 subscribers.
You will learn about Understand and apply foundational principles of digital photography Produce virtual photography using TwinMotion Define strategies for producing compelling AI photography using prompts informed by the aesthetics, techniques and key concepts of photography Develop conceptual skills and vocabulary for image making in today's context Explore workflows moving from 2D still imagery to AI videos This course is ideal for individuals who are This course is beginner-friendly. or This course is for artists, designers, media professionals and digital image hobbyists It is particularly useful for This course is beginner-friendly. or This course is for artists, designers, media professionals and digital image hobbyists.
Enroll now: Digital, Virtual and AI Photography
Summary
Title: Digital, Virtual and AI Photography
Price: Free
Average Rating: 4.29
Number of Lectures: 65
Number of Published Lectures: 65
Number of Curriculum Items: 65
Number of Published Curriculum Objects: 65
Original Price: Free
Quality Status: approved
Status: Live
What You Will Learn
- Understand and apply foundational principles of digital photography
- Produce virtual photography using TwinMotion
- Define strategies for producing compelling AI photography using prompts informed by the aesthetics, techniques and key concepts of photography
- Develop conceptual skills and vocabulary for image making in today's context
- Explore workflows moving from 2D still imagery to AI videos
Who Should Attend
- This course is beginner-friendly.
- This course is for artists, designers, media professionals and digital image hobbyists
Target Audiences
- This course is beginner-friendly.
- This course is for artists, designers, media professionals and digital image hobbyists
Digital, Virtual and AI Photography presents a comprehensive view of computer-based methods for the production and manipulation of photographic imagery. The course is divided into three sections.
The first section on Digital Photography presents thorough coverage of the fundamental principles and techniques of digital photography, whether using a DSLR or mirrorless camera or even just your cell phone. Generative AI approaches to producing photographic images depend on knowing a lot of the technical and conceptual background of traditional photographic techniques, and so this knowledge is essential even if your ultimate goal is to make images primarily with AI.
At the same time, since we all take images with our mobile technologies, the first section will improve your everyday photography skills. And if your goals are to work with more advanced or pro level gear, such as working with DSLRs and mirrorless cameras or studio lighting equipment, the first section covers key topics in those practice areas as well.
The second section on AI Photography explores applying all of the fundamental concepts in the Digital Photography section towards effective prompt writing to produce photographic imagery using AI platforms such as DALL·E 2 and Stable Diffusion. AI prompt writing depends heavily on precise terminology to describe exact features you want the AI to work with, so this section provides a way to revisit core Digital Photography concepts in a new context.
The third section, Virtual Photography, covers the use of real-time rendering environments that can produce photorealistic imagery in HD and UHD (4k). We will use TwinMotion which is a free, easy-to-learn architectural visualization tool based on Unreal Engine, to output photorealistic still images based on real-world scans of textures and environments.
Course Curriculum
Chapter 1: Introduction
Lecture 1: About the Instructor
Lecture 2: My Other Free Courses on Udemy
Lecture 3: Video Content Note
Chapter 2: Digital Photography
Lecture 1: Get to Know Your Camera
Lecture 2: Cellphone Cameras vs. Professional DSLR and Mirrorless Cameras
Lecture 3: Note About Photos and Music
Lecture 4: Exposure Controls
Lecture 5: Over and Under Exposure
Lecture 6: Aperture and Depth of Field
Lecture 7: Shutter Speed_ISO_Highlights_Tonality
Lecture 8: Shadow Recovery_Focus and Exposure Lock_Metering Modes
Lecture 9: Form, Content, Black and White, the Frame
Lecture 10: Composition Principles Part 1
Lecture 11: Composition Principles Part 2
Lecture 12: Composition Principles Part 3
Lecture 13: Lighting Part 1
Lecture 14: Lighting Part 2
Lecture 15: Color Part 1
Lecture 16: Color Part 2
Lecture 17: Lenses Part 1
Lecture 18: Lenses Part 2
Chapter 3: AI Photography
Lecture 1: How This Section Works
Lecture 2: From Digital Photography to AI Synthography
Lecture 3: Prompt Writing Strategies for Photorealistic AI Imagery
Lecture 4: Using Special Characters and Keywords with Generative AI Systems
Lecture 5: Generative AI Cheat Sheet: Special Characters and Keywords
Lecture 6: A List of Generative AI Platforms for 2D Digital Art
Lecture 7: Understanding the Domain of AI Synthography
Lecture 8: Extrapolating the Consequences of Generative AI #1
Lecture 9: AI Art Gallery
Lecture 10: Top 10 Tips for Writing Effective Prompts When Making AI Art
Lecture 11: From AI Photography to AI Filmmaking
Lecture 12: AI-Generated Art & Copyright: General Ideas vs Particular Expressions
Lecture 13: Should AI Artists Reveal Their Prompts? The Pros and Cons
Lecture 14: Generative AI Art as a ‘Post-Digital’ Medium
Lecture 15: Some Brief Observations on AI Filmmaking
Chapter 4: Virtual Photography
Lecture 1: Note About This Section
Lecture 2: Virtual Photography Gallery
Lecture 3: Virtual Photography Overview
Lecture 4: Tips When Using Twinmotion for Virtual Photography
Lecture 5: Virtual Photography: Art Theory Deep Dive
Lecture 6: Using TwinMotion for Virtual Photography
Lecture 7: Resources for Virtual Photography: Downloads and Articles
Lecture 8: Virtual Cinematography
Chapter 5: Critical Concepts in Contemporary Photography Theory
Lecture 1: Critical Concepts in Contemporary Photography Theory #1
Lecture 2: Critical Concepts in Contemporary Photography Theory #2
Lecture 3: Critical Concepts in Contemporary Photography Theory #3
Lecture 4: Critical Concepts in Contemporary Photography Theory #4
Lecture 5: Critical Concepts in Contemporary Photography Theory #5
Lecture 6: Critical Concepts in Contemporary Photography Theory #6
Chapter 6: Miscellaneous Topics
Lecture 1: NFTs 2.0: Beyond the Tulip Mania
Lecture 2: AI and the Future of Humanity
Chapter 7: Concept Craft: a Poetics of AI Art
Lecture 1: About This Section
Lecture 2: Concept Craft | Part 1: Preface and Introduction
Lecture 3: Concept Craft | Part 2: Poetics and Aesthetics
Lecture 4: Concept Craft | Part 3: Material Thinking
Lecture 5: Concept Craft | Part 4: The Concept of the Concept
Lecture 6: Concept Craft | Part 5: Assemblage Theory
Lecture 7: Concept Craft | Part 6: Fuzzy Logic & Family Resemblances
Lecture 8: Concept Craft | Part 7: Hermeneutic Slippage
Lecture 9: Concept Craft | Part 8: Conceptual Art
Lecture 10: Concept Craft | Part 9: A Poetic Synthesis
Chapter 8: Bibliography & Credits
Lecture 1: Bibliography
Lecture 2: Image Credits
Lecture 3: Music Credits
Instructors
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Michael Filimowicz
Award Winning AI Artist: electronic music and digital art
Rating Distribution
- 1 stars: 0 votes
- 2 stars: 0 votes
- 3 stars: 1 votes
- 4 stars: 4 votes
- 5 stars: 2 votes
Frequently Asked Questions
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